Former Nogizaka46 first generation member
Takayama Kazumi wrote a book! It's not even her first book! In 2016, her first short story was published in
Da Vinci magazine, accompanied by illustrations provided by fellow member, Fukugawa Mai, a sort of two-for-one deal. In 2017, she co-wrote a book about
investing your money wisely entitled, ahem,
Investment Methods that Keep My Money Growing Even Though I'm an Idol, but
Trapezium represents her first novel, and as it concerns itself with idol culture as its topic, I'm really kind of excited that, amidst putting out slews of danmei and isekai light novels, Seven Seas found time to pay attention to this and license it.
Before becoming an author, however, Kazumin passed the Nogizaka first generation auditions and joined the group in 2011 alongside
Kashiwa Yukina and
Nishino Nanase, appearing with her peers on first single,
Guru Guru Curtain. She remained in the senbatsu right up until
Kimi ni Shikarareta, her graduation single, in 2021, being in and out of the
jyuuni fukujin, Nogizaka's media senbatsu during these years, right up until the end. So popular a member was Kazumin that she even appeared on the B side of Watanabe Mayu's second single
Otona Jelly Beans as part of subunit, Mayuzaka46 for the song,
Twin Tail wa Mou Shinai in 2012, and also took on the role of Hino Rei during the original 2018 Nogizaka46
Sailor Moon musical as a member of the original Team Moon.
There's a feeling of dread sophistication when it comes to talking of Nogizaka46's first generation. Whenever we branch out here and address AKB48's "official rivals," I feel a little self-conscious of where I have got in life and what my girls in AKB were expecting when they signed up, and what they had to fight for in order to have a normal life after graduating. Nogizaka members, however, appear to be on a different level, and I don't know if that's just the support they had from professionals around them or the fact that the landscape of entertainment changed so much following AKB's debut. Yet, I keep feeling that girls like Kazumin knew what they wanted and were better prepared to make the transition from being an idol whilst still using their experience to their advantage. This isn't to say that it has been smooth sailing for Kazumin, she's had the traditional
"Hey, I'm married now!"/"Hey, I'm divorced now!" experience of someone who was kept away from developing relationships during adolescence—not, of course, that I'm suggesting that dating people in your teens leads you to never having to file for divorce!—but, as a whole, Kazumin strikes me as someone who came out of the fire relatively unscathed, content, even, with where she had found herself in life. Maybe just being a fellow Michishige Sayumi fan gave her strength.
I'm excited for the English language release of
Trapezium. I don't know what kind of fires I will have been through by the time it appears on shelves in November this year, but I'm looking forward to hearing the kind of story that only Takayama Kazumi might be able to tell.